Raging Speedhorn To Launch ‘Exhausting To Kill’ Album In October

Raging Speedhorn To Launch ‘Exhausting To Kill’ Album In October

The world in all probability doesn’t notice it yet, not least as a result of the Corby bruisers had their greatest triumphs within the UK, however when nothing else however riffs and screaming make sense, “Hard To Kill” undoubtedly sounds like the antidote to one thing. For the uninitiated, RAGING SPEEDHORN started life as a snotty, amphetamine-fueled update to the then flourishing sludge metal method. They triggered chaos wherever they went, but the music was always monstrous and simple. In reality, even 2007’s wildly off-piste “Before the Sea Was Built” is value a second look, nevertheless it’s the band’s brutal, rock ‘n’ roll-powered early tunes that earned them close to-legendary standing at home. After an look at the Japanese Beast Fest and participation within the British section of the massive-scale Tattoo-the-Planet-Festival-Tour, the recording of the second album started.

With new label Roulette Media in tow, as well as new administration and reserving agent, the band are back trying and sounding better than ever with a brand new array of songs that will soften your face, so strap yourselves in for the experience of your life. MIDNITE CITY will release three singles from the album in advance. The album title says all of it – Raging Speedhorn return to action with the discharge of their killer new studio album ‘Hard To Kill’. Recorded with Russ Russell at Parlour Studios in Kettering, UK, ‘Hard To Kill’ sees Raging Speedhorn once again upping their own ante by way of song-writing finesse … playing riff-fuelled dirty heavy metallic with aplomb. In 2014, promoters of Damnation — a metal competition based mostly in Leeds — contacted Morison with a request for Raging Speedhorn to re-kind.

Raging Speedhorn To Launch ‘Onerous To Kill’ Album In October

With a rebooted line up Hard To Kill is their sixth album, clocking in at a modest 32 minutes and options an interesting cowl of T-Rex‘s Children of the Revolution . ” from twin vocalists Frank Regan and the aforementioned Cook, on Snakebite, which is slightly below three minutes of frothing, mic-twirling, excessive-octane rock ‘n roll destruction – a bludgeoning opener of spirited hardcore. It melds nicely into the slower groove of Doom Machine, which swaggers with whisky-consuming bravado and makes use of the twin roars of Reagan and the guttural screech of Cook nicely. There’s an nearly chanting, battle-metallic really feel to the guitars in locations, as though an army is marching to warfare, particularly within the final minute the place it kicks into life and I swear you’ll be able to hear some refined strings in the background. What the world wants proper now is a brand new RAGING SPEEDHORN album.

raging speedhorn

When the track was published, the musicians also drew up hate lists for music magazines. They acknowledged that they did not like German petrol stations, German discos and Rammstein , although one might ignore the former, however it was deep hatred at Rammstein. That month, the band had opened for Rammstein on their UK tour, which was followed by a two-week tour of Europe with Ill Niño and Pitchshifter . In the album release month of September, The Eighties Matchbox B-Line Disaster and Terrashima went on a concert tour. In the same year the group was seen on the Xtreme Fest in Dublin and in addition played appearances in London, Manchester , Birmingham and Glasgow . In the next years, the band held different gigs and played in 2003 at the Download Festival and in the identical 12 months on the With Full Force .

About Raging Speedhorn

The title observe, for which the band lately unveiled a brand new, high-octane video, is as monstrous and infectious because the sentiment itself. “Spitfire” is a groove-fuelled beast, whereas “Doom Machine” and “Hammer Down” are sluggish-paced, sludge behemoths that ship with the ferocity that you just’d count on from RAGING SPEEDHORN. The 12 legged, beer fuelled hate machine were shaped in Corby, UK, in 1998.

In the same 12 months, the group was a part of the Download Festival line-up for the third time. In their profession the band was capable of play along with Testament , Anal Cunt , Snapcase , Karma to Burn and Iron Monkey, amongst others . Dredging riffs from the underside of a swamp, the slovenly and mud-encrusted belch of Hammer Down follows, employing this Truckfighters fuzz of noisy, buzzsaw guitars, with this industrial, rhythmic pound and Reagan and Cook’s throat-shredding rasps of guttural defiance. Hand Of God goes, properly, hand in hand with Hammer Down, really – it’s huge, meaty, brash, and sounds like thunder, dirty, sludge-coated thunder. Brutality sounds like a runaway practice, it’s a punch to the intestine, a full-on adrenalin shot of rampant, wild power, and howling hardcore, that takes a sudden and desolate turn into a doom-crammed throwdown of crunching, noise-drenched gloom in the closing minute. Hot on the heels of two highly acclaimed albums, MIDNITE CITY return in 2021 with their extremely anticipated third album “Itch You Can’t Scratch” on May 28th.


Sometimes you just want a simple, rollicking good time with a document and that’s principally what Hard to Kill delivers. Can I forgive Raging Speedhorn for that “Children of the Revolution” cowl? I rather assumed that, after their 2002 sophomore effort, the boys had hung up their instruments and perhaps gone to work in Corby’s steelworks, about the only thing the midlands city is understood for.

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